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Aputure 600c Pro
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Aputure Light Storm 600c Pro – Cineview Studios

Aputure Light Storm 600c Pro (V-Mount)

The Light Storm 600c Pro is Aputure’s first-ever full-colour point-source light fixture, complete with Bowens Mount Compatibility, custom colour-blending optics, intense output, weather resistance, and professional level connectivity. Its immensely powerful RGBWW LED chipset is capable of 600W of total output, positioning the LS 600c Pro as one of the brightest full-colour our point-source light fixtures on the market and as having the highest wattage RBGWW chipset in any point-source LED for filmmaking. And with its Bowens Mount compatibility, the LS 600c Pro is uniquely positioned as one of the most adaptable fixtures on the market.
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Aputure Light Dome II
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Aputure Light Dome II – Cineview Studios

Standard Cinematic Quality Lighting The Light Dome II is Aputure's flagship light shaping tool. An upgrade from the First Generation Light Dome, the Light Dome II features even higher quality diffusion fabric, a rapid build and breakdown system, an included honeycomb eggcrate, and several more new additions.
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Aputure F10 Fresnel
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Aputure F10 Fresnel – Cineview Studios

F10 Fresnel

The Aputure F10 Fresnel is the first Bowens Mount Fresnel on the market made to match the size of traditional 10-inch Fresnel lights like a tungsten 5K, with a 250mm diameter lens made of real glass. The size of this Fresnel allows filmmakers to get punchy hard-light that maintains a subtle soft quality that is perfect for dramatic expression. As an Aputure Fresnel, this modifier also uses dual-lens optical design, utilising a condenser lens to refocus the light from a flat-chip COB LED to optimise it for the front Fresnel element, further enhancing the fixture’s illuminance. When combined with the Aputure LS 600d Pro, the fixture can output over 29,300 lux at 3 meters. To ergonomically and precisely adjust its variable 15°-45° beam angle, the F10 Fresnel uses Aputure’s helicoid focus design from the Fresnel 2X. The F10 also incorporates a ventilation design that prevents the COB from overheating, while also minimising any light leaks. The drop-in accessory slot is compatible with Aputure’s F10 Barn Doors, which provide 8 leaves made to properly cut light from the large Fresnel.
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Broncolor RFS 2.2 S Transmitter (Sony)
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Broncolor RFS 2.2 S Transmitter (Sony) – Cineview Studios

Broncolor 2.2 S Transmitter (Sony) - High Speed Trigger
  • Studio address setting range: 1-99
  • Lamp address setting range: 1-40
  • Frequency: 2.4 GHz
  • Exposure speed, focal-plane shutter in HS mode: up to 1/8000 s
  • Flash triggering by: Integrial hot shoe, middle contact / Sync connection on side
  • Operational distance in open air: up to 50 m / 164 ft
  • Operational distance in a building: up to 30 m / 98 ft
  • Dimension (l x w x h): 72 x 55 x 52 mm / 2.8 x 3.0 x 2.0''
  • Weight: 100 g / 0.2 lbs (incl. batteries)
  • Releases per second: 100
  • Power supply: 2 AA batteries
  • Typical battery life span: approx. 8-12 months / 100'000 flashes
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Broncolor RFS 2.2 N Transmitter (Nikon)
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Broncolor RFS 2.2 N Transmitter (Nikon) – Cineview Studios

Broncolor RFS 2.2 N Transmitter (Nikon) – High Speed Trigger
  • Studio address setting range: 1-99
  • Lamp address setting range: 1-40
  • Frequency: 2.4 GHz
  • Exposure speed, focal-plane shutter in HS mode: up to 1/8000 s
  • Flash triggering by: Integrial hot shoe, middle contact / Sync connection on side
  • Operational distance in open air: up to 50 m / 164 ft
  • Operational distance in a building: up to 30 m / 98 ft
  • Dimension (l x w x h): 72 x 55 x 52 mm / 2.8 x 3.0 x 2.0''
  • Weight: 100 g / 0.2 lbs (incl. batteries)
  • Releases per second: 100
  • Power supply: 2 AA batteries
  • Typical battery life span: approx. 8-12 months / 100'000 flashes
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Broncolor RFS 2.2 C transmitter (Canon)
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Broncolor RFS 2.2 C Transmitter (Canon) – Cineview Studios

Broncolor 2.2 C Transmitter (Canon) - High Speed Trigger
  • Studio address setting range: 1-99
  • Lamp address setting range: 1-40
  • Frequency: 2.4 GHz
  • Exposure speed, focal-plane shutter in HS mode: up to 1/8000 s
  • Flash triggering by: Integrial hot shoe, middle contact / Sync connection on side
  • Operational distance in open air: up to 50 m / 164 ft
  • Operational distance in a building: up to 30 m / 98 ft
  • Dimension (l x w x h): 72 x 55 x 52 mm / 2.8 x 3.0 x 2.0''
  • Weight: 100 g / 0.2 lbs (incl. batteries)
  • Releases per second: 100
  • Power supply: 2 AA batteries
  • Typical battery life span: approx. 8-12 months / 100'000 flashes
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Broncolor P70 standard reflector
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Broncolor P70 Standard Reflector – Cineview Studios

The slightly textured open broncolor p70 reflectors are characterised by homogenous light distribution, although a controlled centre emphasis can be achieved using focusable broncolor lamps. The light angle of each open reflector is apparent from its model designation, optical attachments (such as projection attachment) offer a variable coverage angle.
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Broncolor Conical Snoot
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Broncolor Conical Snoot – Cineview Studios

The broncolor conical snoot is an aluminium reflector for perfectly sharp shadows and a fairly narrow lighting angle. Some favourite fields of application are backlighting for portrait and table-top photography.
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Broncolor Para 177
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Broncolor Para 177 – Cineview Studios

It is not just the form and size of Para that impresses, but above all their unique light quality and phenomenal light output. The Para is a parabolic reflector; it has 24 segments, covered with a high-gloss, tear-resistant textile reflector material. Para is not a conventional light shaper, but rather an independent lighting system: various sizes of reflector are available; the position of the lamp is always central, on the axis of the reflector; the angle influences the character of the light; the range includes three diffusers with different densities as well as honeycomb grids. No other light shaper gives bodies, faces and products so much vividness. With the broncolor Para family, every shooting is a success. Unbelievable light variability (soft cloud or spot-like), lightweight, compact and fully compatible with broncolor and third-party flash equipment – unlimited possibilities at the highest level. This para comes with medium diffuser 2 and 40° grid.
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Broncolor Octabox 150cm
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Broncolor Octabox 150cm – Cineview Studios

The Ultimate: The larger of the two Octaboxes. Light quality is similar to that of a rectangular Softbox of a similar size. But the octagonal form provides even more homogeneous illumination. Particularly in portrait and beauty photography the rounded reflections in the eyes are preferred to those from rectangular Softboxes. This octabox comes with 40° grid.
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Broncolor Softbox 90cm x 120cm
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Broncolor Softbox 90cm x 120cm – Cineview Studios

The Big One: Softbox with the classical 3:4 aspect ratio. Perfect for use anywhere where large area and soft lighting is required. As with any rectangular (but not square) Softbox, you can turn it through 90° to achieve another, slightly different, lighting characteristic. This softbox comes with 40° grid.
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broncolor octabox 75cm
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Broncolor Octabox 75cm – Cineview Studios

Broncolor Octagonal soft box with half the diameter and a quarter of the illuminated area of the Octabox 150. It is notable for the very homogeneous illumination it provides and the rounded eye-light.
The Beautiful: Octagonal soft box with half the diameter and a quarter of the illuminated area of the Octabox 150. It is notable for the very homogeneous illumination it provides and the rounded eye-lights, but its light is a good deal harder than from its larger sister. It is therefore the first choice for classical portrait and powerful beauty lights. It comes with 40° grid.
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12x12 Honeycomb Grid
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12×12 50° Honeycomb Grid – Cineview Studios

  • Direct fit onto a 12' x 12' Overhead Frame
  • Attaches to overhead frame
  • Unique hexagon shape all but eliminates sag
  • Rolls up easily to store in it's own custom carrying case
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Matthews Silk
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12×12 Full Silk – Cineview Studios

Great diffuser in wide width which allows the least possible seams. This man-made fabric is denser and softens and spreads the light more than the White China Silk.
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12x12 China Silk White
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12×12 White China Silk – Cineview Studios

  • Designed to fit directly onto a 12x12 Frame
  • Light loss 1.0 stop
Also known as "Rags" these are the materials that are tied to the Butterfly/Overhead frame. For many years, only the basic materials were used such as scrims to reduce light, silk to diffuse light and solid to eliminate light. More recently many new materials have been added to allow many degrees of diffusion (Grid Cloths, Black Silks, etc.) plus many new reflective materials are now available to make large reflectors for both sunlight and artificial light such as Matthflectors, Grifflectors and Lames.
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Ultrabounce
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12×12 Ultrabounce – Cineview Studios

Designed to fit directly onto a 12x12 Frame A waterproof matte finished 8x8 ultrabounce textile with soft reflector on one side and black block on the other.
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Ultrabounce
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8×8 Ultrabounce – Cineview Studios

A waterproof matte finished 8x8 ultrabounce textile with soft reflector on one side and black block on the other.
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8x8 honeycomb grid
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8×8 50° Honeycomb Grid – Cineview Studios

  • Designed to fit directly onto a 8x8 Frame
  • Attaches to overhead frame
  • Unique hexagon shape all but eliminates sag
  • Rolls up easily to store in it's own carrying bag
  • Includes custom carrying bag
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broncolor RFS-2.1 transceiver
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Broncolor RFS 2.1 Transceiver – Cineview Studios

Minimal power consumption and independent operability at 99 workstations with up to 99 studio addresses, thanks to digitally coded channels. For wireless triggering of broncolor Senso, Move, Scoro as well as Siros equipped with RFS 2. Outdoors or in large halls, the operating distance of the broncolor RFS 2.1 is up to 200 m (656 ft), in closed rooms up to 50 m (164 ft). The transmission time (transmitter to receiver) is 0.425 ms. The operating status of the transceiver and the selected studio address are indicated on a large LCD display. Two additional buttons allow the remote regulation of the power of all controlled flash units directly from the transceiver. With the RFS 2.1 Transceiver you can also define and adjust the individual lamp outlets on the flash units and allows you to switch the modelling light on or off.
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broncolor beauty dish reflector p
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Broncolor Beauty Dish Reflector P – Cineview Studios

Broncolor Beauty Dish Reflector P with Grid + Diffuser Broncolor P-Soft, the classical among the broncolor reflectors, it is silver coated and has a counter reflector inside. Due to its size and its construction, its light is softer than the one of normal reflectors, but harder than the one of softboxes. Very often used for portrait, fashion or food photography, it allows a crispy light without being too hard. It can be combined with honeycomb for a smaller light angle and/or with a diffuser for softer and brighter shadows. It has a higher output than any other Beauty Dish.
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Broncolor softbox 35cm x 60cm
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Broncolor Softbox 35cm x 60cm – Cineview Studios

The Smallest: The smallest of all Softboxes is only a little larger than a standard reflector. The light is, of course, scattered, but with these small dimensions, cannot be considered soft. Due to the very homogeneous illumination it is outstandingly suited for use in product photography. The smallest Softbox is also very suitable for powerful and classical portraits. On location, for example at weddings, the compact Softbox can also be used without a stand as a hand-held chaser light.
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Broncolor Softbox 60cm x 60cm
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Broncolor Softbox 60cm x 60cm – Cineview Studios

The Universal: The smallest square Softbox is the perfect all-rounder; its use makes good sense in most sectors of product and portrait photography. This size is still very compact, so the light is not too soft and perfect for powerful lighting.
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Broncolor Softbox 100x100
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Broncolor Softbox 100cm x 100cm – Cineview Studios

The Middle One: The softer version of the compact 60 x 60. With an illuminated area just under three times larger, this Softbox provides a much softer light. As a soft backlight in food photography too, this Box in one of the most flexible light modifiers.
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broncolor softbox 120 x 180cm
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Broncolor Softbox 120cm x 180cm – Cineview Studios

The Biggest: Over two square meters of light! Even over the shortest distance, this Softbox illuminates a whole body very uniformly and this short distance from the model (or object) guarantees an unbelievably soft and beautiful light.